Check out this full transcription of legendary jazz vocalist Dianne Reeves’ a cappella introduction on her own “Tango Du Jour”.
Gregory Hutchinson demonstrates how he switches from brushes to sticks on the fly.
Peter Martin demonstrates how to play piano solos and comp over the barline in the complex time signature of 7/8.
Jazz pianists are always looking for “cool” voicings – “Hey, show me a cool voicing!” But I always like to think of voicings as part of a progression, not just a static chord by itself.
Open Studio artist Romero Lubambo discusses some essential tips for expanding your range one the Brazilian jazz guitar.